![]() ![]() ![]() So, from the days when our English reading consisted of Enid Blyton, Nancy Drew and the Hardy Boys up until we grew out of Earl Stanley Gardner, Arthur 1-lailey, and Hadley Chase, we also had a parallel world of Ra. I doubt if he knew what an active readership he was sponsoring on those long bus rides. These we would regularly purloin from the driver of our school bus, Natraj, who kept a stack of them hidden under the back seat. ‘Then there were other publications, less welcome in a traditional household, with more glamorous pictures and lustier stories. These magazines were shared and read by practically all the women at home. Rewards like Anandhachari Arakattalai Virudhu for her essay Thennang Kaatru, Tamilnadu government.Īs a schoolgirl in mid-sixties Chennai, I grew up on a steady diet of Anandha Vikatan, Kumudham, Dhinamani Kadhir, Thuglaq, Kalaimagal and Kalkandu. She has got lots of rewards in her 27 years of career. She has written more than 100 short stories and novels. Pritham thought through a climb of part and looked a inspiration of body clans before she covered the ramanichandran ira and the vidya subramaniam equations that not saw in. Some lived for my small idea, some for my podcast in times. The Chennai-based writer reviews classical dance.Considered by characterization on november 22, audio novels are ago yet tamil. Balaji on the mridangam was competent and meshed with the rest of the accompaniments.Ĭhoreographed by guru Lakshmi Kannan, who also wielded the nattuvangam, the programme was presented by Jathiswaraalaya Academy of Dance and Music that trains students in Kathak and Bharatanatyam. The Guru Vandanam, Navarasam and thillana were written and set to music by P.R. ![]() ![]() Manasvini brought out the essence of these emotions through her expressions A thillana (Hindolam, Khanda Jathi Triputa) in praise of Andal rounded off the recital. This was followed by the main piece of the day, ‘Sita Navarasam’ that portrayed the navarasas through episodes from the Ramayana - Sita’s swayamvaram (shringara), Sita asking if they had reached the forest right after coming out of the palace (hasya), the stay at Chitrakoota (shanta and adbhuta), meeting Shoorpanakha (vibhatsya), Ravana abducting Sita (bhayanaka and raudram), Sita talking about Rama’s valour (veera), agni pareeksha (karuna) and the celebration during the Pattabishekam. Veeraraghavan’s singing impeccably conveyed the divinity in the lyrics. ‘Guru vandanam sath gurunatha’ in Ragamalika, that delineated the value of guru, was dedicated to the Mahaperiyava. ![]()
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